翻訳と辞書
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・ The Chiffons
・ The Child (1940 film)
・ The Child and the Killer
・ The Child and the Pope
・ The Child Buyer
・ The Child Dreams (opera)
・ The Child Garden
・ The Child in Time
・ The Child of Destiny
・ The Child of Lov
・ The Child of Lov (album)
・ The Child of the Cavern
・ The Child School
・ The Child Thief
・ The Child who came from an Egg
The Child's Bath
・ The Child's Brain
・ The Child's Child
・ The Child's Eye
・ The Childballads
・ The Childhood of a Leader
・ The Childhood of a Leader (film)
・ The Childhood of Icarus
・ The Childhood of Jack Harkaway
・ The Childhood of Jesus
・ The Childhood of Maxim Gorky
・ The Children (1980 film)
・ The Children (1984 film)
・ The Children (1990 film)
・ The Children (2008 film)


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The Child's Bath : ウィキペディア英語版
The Child's Bath

''The Child's Bath'' (or ''The Bath'') is an 1893 oil painting by American artist Mary Cassatt. The subject matter and the overhead perspective were inspired by Japanese woodblocks.〔(Painting profile ) from the Art Institute of Chicago.〕〔(Art Access ) at the Art Institute of Chicago.〕 It shows dignity in motherhood and has a style similar to that of Degas.
The Art Institute of Chicago acquired the piece in 1910. It has since become one of the most popular pieces in the museum.〔Lisa Stein. "The Art Institute has compiled its 'greatest hits.' We asked art experts to expand that list of 11 to include other treasures." ''Chicago Tribune''. 18 April 2003.〕
== Description ==
In 1893, Mary Cassatt created the oil painting with two subjects, a mother figure and a young child. The genre scene is based on the everyday bathing of a child, a moment that is “special by not being special”. 〔Janes, Karen Hosack. Great Paintings. New York: Dorling Kindersley Limited, 2011, 179. 〕 The female figure holds up the child firmly and protectively with her left hand while the other hand carefully washes the child’s feet. The small and chubby left arm of the child braces against the mother’s thigh, while the other hand is clamped firmly on the child’s own thigh. The mother’s right hand presses firmly but still gently on the foot in the basin, mimicking the child’s own pressure on her thigh. To indicate depth, Cassatt painted the faces to recede into space. The paint strokes are layered and rough, creating thick lines that outline the figures and stand them out from the patterned background. The hand of the artist is evident through the roughness of the strokes and can be better viewed from a distance.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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